| Cancer Evita couldn’t resist nor the Shah and Frederick the III ruled just 88 days
 before his assassination from within.
 Thus your life equaled bowing as though grateful
 for filthy sidewalk because becoming
 violently ill meant the treatment was working.
 The woman your wino impression sickened
 dragged her poodle away and passing joggers
 quickened their blur. If imagining approached
 knowing sooner than infinity, they’d have guessed
 the black hole of a slave ship hold, ground zero
 at Hiroshima. You got well so you’d feel better
 fretting a noisy faucet while investing
 in your retirement. Suffering’s all or nothing
 like legions of cells conquering their small world
 four blocks from your apartment, the laundromat
 one quest too many, and like the caliph
 in A Thousand and One Nights who slipped through town
 as one of his wretches you’d have done anything
 to find those people and invite them over,
 bring out a nice shiraz in your silk robe.
   Judensau The missile that ran down Arab children on a Gaza beach is a head beneath a kippa
 at a school in France, pareve salt on the shelf
 of a Berlin market, my cremated grandmother
 still weeding her Garden State backyard.
 Go away, Jew pig. She’s the matriarch, the one
 I’ll always love. They cut off her cloven feet,
 left them on the temple steps. She never went
 back to Russia, fretting hidden fees
 and are you warm enough? An ape suckled Tarzan,
 a bear Atalanta, a wolf the founders
 of Rome. But in all her stories we built
 our dumb houses of parchment. When I watch
 the angry parades with their cartoon signs
 I remember Chagall’s woman
 and a green porker looking up from a trough
 with the same posture of thirsty suspicion.
 More than pharaohs, she believed in washing,
 gave me a bank with a drain like a butcher’s floor.
 I’ve bought my shame with stubborn animal tears
 like milk. She survived her graven image,
 still famous for art’s sake in the quaint friezes
 of this or that town. She often spoke
 of a homeland, lay with an apple in her mouth.
     
 David Moolten’s new verse has appeared or is forthcoming  in The Georgia Review, North American Review, and Water~Stone.  His most recent book, Primitive Mood, won  the T. S. Eliot Prize from Truman State University  Press and was published in 2009.  Moolten is a physician specializing in transfusion  medicine, and he lives, writes, and practices in Philadelphia, Pennsylvania.
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